Sadao watanabe tokyo dating
The young Watababe worked in dyers' shops, sketching patterns and dyeing clothes.
In 1937, one year after Yanagi Sōetsu (1889–1961), father of the Japanese mingei (folk art) movement, had established the Folk Art Museum, the 24-year-old Watanabe saw an exhibition of Serizawa Keisuke's (1895–1984) work.
Influenced by Buddhist figure prints, Watanabe placed biblical subjects in a Japanese context.
In The Last Supper (1981) Watanabe depicts the disciples in kimono. Watanabe uses kozo paper (from mulberry tree) and momigami (kneaded paper).
They lived in various places during this period of time and when they were living in Yotsuya, one of their neighbors invited Sadao to church-- the Ichigaya Daimachi Church. "In the beginning I had a negative reaction to Christianity. After the death of his father, Sadao quit school and started to work in order to support himself.
As a student of the master textile dye artist Serizawa Keisuke (1895–1984), Watanabe was associated with the mingei (folk art) movement. He dropped out of school at an early age and became an apprentice in a dyer's shop.In 1985, he had completed 380 prints, 80 dealt with the old testament and 280 with the new testament. By 1985, he had already completed 11 different prints of Noah, 15 of the Three Wisemen, and 20 of the Last Supper.